Music Theory & Analysis
copyright © 2000-2009 by Larry Solomon

- Theory
- Symmetry
-
- Interval String
Theory
- Compound
Variation in Bartok's Second Quartet
- Consonance and
Dissonance
- Chord Chart
- Theory Glossary of Terms
- Set Theory Glossary of Terms
- Modes
- Nonharmonic
Tones: Theory of
- Tonality, Modality, and
Atonality
- Schenkerian
Primer
- Set Theory
Primer
- Structure and "Good Music"
- Bibliographies
-

Analytical Tools
- Chords: Chart
- Formal &
Motivic Analysis: Symbols
-- suggestions and an example
- Forms and Genre
- Parametric
Analysis A list of
parameters and suggestions
- Schenkerian
Primer
- Schenkerian
Analysis: Symbols
- Set Theory

- Bach:
Violin Chaconne in D minor: Music Theory and
Performance
- Bach: Invention No. 1 in
C
- Bach: Prelude in C
Major, WTC I
- Bach: The anatomy of canon and fugue
and J.S. Bach (Tim
Smith)
- Bartok:
Music for Strings, Percussion and Celeste
- Bartok: Second String Quartet
- Beethoven:
Scherzo from piano sonata No. 15, op.28
- Beethoven:
Variations in C Minor, WoO 80
- Berg:
Wozzeck as Expressionist Opera
- Bosch:
Image Symbols and Music in the Paintings of
Hieronymus Bosch
- Brahms: Sarabande,
A
Tonal, Harmonic, Motivic, and Formal Analysis
- Satie: the First
Modern
- Scriabin:
Prelude for piano, Op. 74, no. 3 (using set theory)
- Strauss:
Salome's Leitmotifs and Keys
- Strauss:
Salome's Allure from the "Dance of the Seven
Veils", a Tonal-Harmonic Analysis
- Stravinsky:
The Dies Irae in the Rite
- Symmetry as
a Compositional Determinant (revised dissertation, 2002)
- Wagner:
Ring Riddles
- Wagners
Music Drama as Revision of Opera
- Webern: Variations,
Op. 27
Miscellaneous