Symmetry as a Compositional Determinant

copyright © Larry J. Solomon, 1973, revised 2002

 

X. Bibliography

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Alban Berg, "Why is Schoenberg's Music so Hard to Understand?" in Contemporary Composers on Contemporary Music, edited by C. Schwartz and B. Childs (New York: Holt, Rinehart, and Winston, 1967), 68.

Bergeijk, Willem A. van, and others. Waves and the Ear. New York: Doubleday, 1960.

Berry, Wallace. Form in Music. Englewood Cliffs: Prentice Hall, 1966.

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Chapman, Roger, "The Fifth Quartet of Bela Bartok," Music Review, XII (1951), 296.

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Cone, Edward T., editor. Berlioz's Fantastic Symphony. New York: Norton, 1971.

David, Hans T. and Arthur Mendel. The Bach Reader: A Life of Johann Sebastian Bach in Letters and Documents. New York: Norton, 1945.

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Forte, Allen, "Bartok's Serial Composition," The Musical Quarterly, XLVI (1960), 233.

Geiringer, Karl. Johann Sebastian Bach, the Culmination of an Era. New York: Oxford University

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Gregory, R.L. Eye and Brain. New York: McGraw Hill, 1966.

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Webern, Anton. The Path to the New Music. Bryn Mawr: Theodore Presser, 1963.

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Westergaard, Peter. "Webern and Total Organization: An Analysis of the Second Movement of Piano Variations, Op. 27," Perspectives of New Music, I/2 (1963), 107-120.

Weyl, Hermann. Symmetry. Princeton: Princeton University Press, 1952.

Wildgans, Friedrich. Anton Webern, trans by E.T. Roberts and H. Searle. London: October House, 1966.



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