Symmetry as a Compositional Determinant

copyright © Larry J. Solomon, 1973, revised 2002


X. Bibliography

Abraham, Gerald, "The Bartok of the Quartets," Music and Letters, XXVI (1945), 185.

Apel, W and Davidson. Historical Anthology of Music, Volume I, (Cambridge, Mass.: Harvard University Press, 1959).

Arnheim, Rudolf. Visual Thinking. London: Faber and Faber, 1969.

Barbour, J. Murray, Tuning and Temperament. East Lansing, Michigan: Michigan State College Press, 1953.

Alban Berg, "Why is Schoenberg's Music so Hard to Understand?" in Contemporary Composers on Contemporary Music, edited by C. Schwartz and B. Childs (New York: Holt, Rinehart, and Winston, 1967), 68.

Bergeijk, Willem A. van, and others. Waves and the Ear. New York: Doubleday, 1960.

Berry, Wallace. Form in Music. Englewood Cliffs: Prentice Hall, 1966.

Boulez, Pierre. Boulez on Music Today. Cambridge, Massachusetts: Harvard, 1971.

Chapman, Roger, "The Fifth Quartet of Bela Bartok," Music Review, XII (1951), 296.

Cockshoot, John V. The Fugue in Beethoven's Piano Music. New York: Dover, 1959.

Cone, Edward T., editor. Berlioz's Fantastic Symphony. New York: Norton, 1971.

David, Hans T. and Arthur Mendel. The Bach Reader: A Life of Johann Sebastian Bach in Letters and Documents. New York: Norton, 1945.

Fontaine, Paul. Basic Formal Structures in Music. New York: Meredith, 1967.

Forte, Allen, "Bartok's Serial Composition," The Musical Quarterly, XLVI (1960), 233.

Geiringer, Karl. Johann Sebastian Bach, the Culmination of an Era. New York: Oxford University

Ghyka, Matila. The Geometry of Art and Life. New York: Sheed and Ward, 1946.

Gregory, R.L. Eye and Brain. New York: McGraw Hill, 1966.

Hagger, Reginald.A. A Dictionarv of Art Terms. New York: Hawthorne, 1962.

Hanson, Howard. Harmonic Materials of Modern Music. New York: Appleton-Century-Crofts, 1960.

Hertz, Gerhard, ed. Bach: Cantata No. 4. New York: Norton, 1967.

Icke, Vincent. The Force of Symmetry. Cambridge (UK): Cambridge University Press, 1995.

Karush, William. Webster's New World Dictionary of Mathematics, 1989

Kemp, Ian. Hindemith. London: Oxford University Press, 1970.

Kepes, Gyorgy, ed. Module, Proportion, Symmetry, Rhythm. New York: Braziller, 1966.

Klammer, Armin, "Webern's Piano Variations, Op. 27, Third Movement, " Die Reihe, II (1958), 81-92

Kolneder, Walter A. Anton Webern: an Introduction to His Works, trans by H. Searle. Berkeley, California: University of California Press, 1968.

Leibowitz, Rene. Schoenberg and His School, trans by Dika Newlin. New York: Da Capo Press, 1970.

Leichtentritt, Hugo. Musical Form. Cambridge, Massachusetts: Harvard University Press, 1965.

Lendvai, Erno. "Introduction aux formes et harmonies bartokiennes," in Bartok, Sa Vie et Son Oeuvre, edited by Bence Szabolcsi (Paris: Boosey and Hawkes, 1968), 99-137.

Lesznai, Lajos. Bela Bartok, Sein Leben seine Werke. Leipzig: Deutscher Verlag fur Musik, 1961.

Lewin, David, "A Metrical Problem in Webern's Op. 27," Journal of Music Theory, VI (1962), 125.

Lorenz, Alfred. Das Geheimnis der Form bei Richard Wagner, Vol I. Berlin: Max Hesses, 1924.

Lundin, Robert W. An Objective Psychology of Music, second edition. New York: Ronald Press, 1967.

MacPherson, Stewart. Form in Music. London: Joseph Williams, Ltd., 1915.

Mason, Colin, "An Essay in Analysis: Tonality, Symmetry, and Latent Serialism in Bartok's Fourth String Quartet," Music Review, XVIII (1957), 189-201.

Mason, Colin, "Webern's Later Chamber Music," Music and Letters, XXXVIII (1957), 232.

Merriam Webster's Collegiate Dictionary, 1995

Meyer, L.B. Emotion and Meaning in Music. Chicago: University of Chicago Press, 1956.

Moldenhauer, Hans, ed. Anton von Webern: Perspectives. Seattle: University of Washington Press, 1966.

Murray, Peter and Linda Murray. Dictionary of Art and Artists. New York: Praeger, 1965.

Murray, Sir James. New English Dictionary On Historical Principles, 10 volumes plus supplement. Oxford: Clarendon Press, 1919.

New Columbia Encyclopedia, The. 1975

Ogdon, Wilbur, "A Webern Analysis," Journal of Music Theory, VI (1962), 133.

Perle, George, "Symmetrical Formations in the String Quartets of Bela Bartok," Music Review, XVI (1955), 300-312.

Perle, George, "Webern's Twelve Tone Sketches," The Musical Quarterly, LXII (1971), 1-25.

Piston, Walter. Harmony. New York: Norton, 1962.

Polnauer, J. Anton Webern Letters to Hildegaard Jones and Joseph Humplit (trans. C. Cardew), (Bryn Mawr: Theodore Presser, 1963)

Porter, David H. "Reflective Symmetry in Music and Literature," Perspectives of New Music, VIII/2 (1970), 118-122.

Press, 1966.

Reti, Rudolph. Thematic Patterns in Sonatas of Beethoven. New York: Macmillan, 1967.

Richards, M.C. Centering. Connecticut: Weslyan University Press, 1962.

Robertson, Alec, editor. Chamber Music. Baltimore: Penguin, 1957.

Schoenberg, Arnold. Style and Idea. New York: Philosophical Library, 1950.

Schwartz, Elliot and Barney Childs editors. Contemporary Composers on Contemporary Music. New York: Holt, Rinehart, and Winston, 1967.

Siegmeister, Elie. Harmony and Melody, Volumes I and II. Belmont, Californla: Wadsworth, 1965.

Sinnott, Edmund W. Plant Morphogenesis. New York: McGraw Hill, 1960.

Stevens, Halsey. The Life and Music of Bela Bartok. New York: Oxford University Press, 1963.

Stockhausen, Karlheinz, "Music in Space," Die Reihe, V (1959), 67-82.

Szabolcsi, Bence, editor. Bartok, Sa Vie et Son Oeuvre. Paris: Boosey and Hawkes, 1968.

Thomason, Leta Nelle. Structural Significance of the Motive in the String Quartets of Bela Bartok, Ph.D. dissertation. Michigan State University, 1965.

Thompson, D'Arcy W. On Growth and Form. Volume II. London: Cambridge, 1942.

Treitter, Leo, "Harmonic Procedures in the Fourth Quartet of Bela Bartok," Journal of Music Theory, III (1959), 242.

Ujfalussy, Josef, "Einige inhaltliche Frazen der Bruckensymmetrie in Bartoks Werken," Studia musicologica, V (1963), 541.

Ujfalussy, Josef. Bartok Bela, 2 volumes. Budapest:

Webern, Anton. The Path to the New Music. Bryn Mawr: Theodore Presser, 1963.

Webster's New World Dictionary of the American Language. Cleveland: World, 1958.

Westergaard, Peter. "Webern and Total Organization: An Analysis of the Second Movement of Piano Variations, Op. 27," Perspectives of New Music, I/2 (1963), 107-120.

Weyl, Hermann. Symmetry. Princeton: Princeton University Press, 1952.

Wildgans, Friedrich. Anton Webern, trans by E.T. Roberts and H. Searle. London: October House, 1966.

 Back to Symmetry Contents

Escati Free                     Counter
You are Visitor No:

View Counter Stats