References

• BALDASS, LUDWIG VON. Hieronymus Bosch. [Vienna, 1943.] London,1960
• BAX, D. Hieronymus Bosch, His Picture-writing Deciphered (trans. M.A. Bax-Botha), Rotterdam, 1979. Contains an index of symbols
• BAYLEY, H. The Lost Language of Symbolism, NJ, 1988
• BEAGLE, P.S. The Garden of Earthly Delights, London, 1982
• BELTING, HANS. Hieronymus Bosch, Garden of Earthly Delights, NY: Prestel, 2002. Excellent study of this painting, excellent reproductions.
• BERGMAN, MADELINEE. Hieronymus Bosch and Alchemy, A Study on the St. Anthony Triptych. Stockholm, 1979
• BOCZKOWSKA, A. and A. WIERCINSKI. “Hieronymus Bosch’s Self Portraits”, Ars Auro Prior, Warsaw, 1981, pp. 193-199
• BOSMAN, ANTHONY. Hieronymus Bosch. London, 1963
• BRAND-PHILIP, LOTTE. “The Prado Epiphany by Jerome Bosch,” in The Art Bulletin. New York, 1953
• BRAND-PHILIP, LOTTE. Hieronymus Bosch. New York, 1955
• BUCHNER, ERNST. “Ein Werk des Hieronymus Bosch in der Älteren Pinakothek,” in Münchner Jahrbuch der bildenden Kunst, New Series XI. Munich, 1934
• BUZATTI, DINO, and CINOTTI, MIA. L’opera completa di Bosch. Milan, 1966. (Commentary on all the paintings on the basis of the literature)
• CASTELLI, ENRICO. IIdemoniaco nell’arte. Milan, 1952
• CHASTEL, ANDRE. “La Tentaticoon de Saint Antoine ou le Songe du meloncolique,” in Gazette des Beaux-Arts. Paris, 1936
• CINOTI, M. The Complete Paintings of Bosch, 1969
• COMBE, JACQUES. Jheronimus Bosch. London, 1946
• COOPER, J.C. An Illustrated Encyclopedia of Traditional Symbols, London: Thames and Hudson, 1978. Excellent source on symbolism.
• CUTTLER, CHARLES D. “Bosch and the Narrenschiff. A Problem in Relationships,” in The Art Bulletin. New York, 1969
• CUTTLER, CHARLES D. “The Lisbon Temptation of St. Anthony by Jerome Bosch,” in The Art Bulletin. New York, 1957
• DELEVOY, ROBERT L. Bosch. Geneva, 1960. (Excellent source with the most complete bibliography)
• DOLLMAYR, HERMANN. “Hieronymus Bosch und die Darstellung der vier Letzten Dinge,” in Jahrbuch der Kunsthistorischen Sammlungen des Allerhöchsten Kaiserhauses, XXX. Vienna, 1898
• DORPLES, GILLO. Bosch, Milan, 1953
• DUFOUR, ALESSIA DEVITINI. (John Gilbert, translator). Art Book: Bosch, Missouri, DK Publishing, 1999. One of the best picture books on Bosch.
• DVORAK, MAX. “Die Anfänge der holländischen Malerei,” in Das Rätsel der Kunst der Brüder van Eyck. Munich, 1925
• DVORAK, MAX. “Schongauer und die niederländische Malerei,” in Kunstgeschichte als Geistesgeschichte, Munich, 1924
• EIGENBERGER, ROBERT. Die Gemäldegalerie der Akademie der Bildenden Künste. 2 vols. Vienna-Leipzig, 1927
• FONTANA, DAVID. The Secret Language of Symbols. San Francisco:Cronicle Books, 1993. Excellent illustrated source on symbols.
• FRAENGER, WILHELM. Die Hochzeit zu Kana. Ein Dokument semitischer Gnosis bei Hieronymus Bosch. Berlin, 1950
• FRAENGER, WILHELM. The Millennium of Hieronymus Bosch. London, 1952
• FRIEDLÄNDER, MAX J. Gierigen und Bosch (Die altniederländischeMaleret, Vol. V). Berlin, 1927. Supplemented in Vol. XIV. Leiden, 1937
• GIBSON, WALTER S. Hieronymus Bosch, an annotated bibliography. Reference Publication in Art History, Boston, 1983
• GOMBRICH, E. H. “Bosch’s ‘Garden of Earthly Delights’: A Progress Report,” in Journal of’the Warburg and Courtauld Institutes, Vol. 32. London,1969
• HAMMERSTEIN, REINHOLD. Diabolus in Musica: Studien zur Ikonigraphie der Musik im Mittelalter. Bern: Francke, 1974. Best source on the Diabolus.
• HARRIS, LYNDA. The Secret Heresy of Hieronymus Bosch.. Edinburgh: Floris Books, 2002. An interesting theory on Bosch as a heretic. Contains an index of symbols.
• HIRSCK, W. Hieronymus Bosch and the Thinking of the Late Middle Ages. Stockholm, 1957
• HUIZINGA, J. The Waning of the Middle Ages, a study of the forms of life, thought and art in France and the Netherlands in the XIVth and XVth centuries. London, 1937
• JUNG, CARL G. Man and His Symbols, London: Aldus Books, 1964. Premier source on Jungian archetypes and symbols.
• LEYMARIE, JEAN. Jerome Bosch. Paris, 1949
• LINFERT, CARL. “Hieronymus Bosch—halb Rätsel, halb Enthüllung.Vortrag 1960,” in Blick auf Beckmann. Munich, 1962
• LINFERT, CARL. Hieronymus Bosch: The Paintings. London, 1959
• LINFERT, CARL. Hieronymus Bosch. NY: Abrams, 1970
• MARIJNISSEN, R.-H. Jheronymus Bosch, Brussels: Arcade, 1972. A huge monograph in French.
• MARTIN, GREGORY. The Complete Paintings of Bosch. NY: Abrams, 1966. An outline and bibliography.
• MOSMANS, JAN. Jheronimus Anthonie-zoon van Aken alias Hieronymus Bosch, zijn leven en zijn werk. 's-Hertogenbosch, G. Mosmans Zoon, 1947. 96 p. illus.
• MÜNZ, LUDWIG, Katalog ... der Gemäldegalerie der Akademie der Bildenden Künste. Vienna, 1957
• MUSPER, H. T. Netherlandish Painting: Late Fourteenth to Early Sixteenth Century. New York, 1972
• ORIENTI, SANDRA. Hieronymus Bosch. NY: Crescent Books, 1976. A cult book with spurious theory.
• PACHT, OTTO. The Master of Mary of Burgundy. London, 1948
• PANOFSKY, E. Early Netherlandish Painting, its Origins and Character, Vols I & II, Cambridge Mass, 1964
• PATCH, H.R. The Other World According to Descriptions in Medieval Literature, NY, 1980
• POCH-KALOUS, MARGARETHE. Hieronymus Bosch m der Gemäldegalerie der Akademie der Bildenden Künste. Vienna, 1967
• OLDERR, STEVEN. Symbolism, A Comprehensive Dictionary. NC, 1986. Excellent source on symbols.
• OLDERR, STEVEN. Reverse Symbolism Dictionary. NC, 1992. Excellent source on symbols.
• SEDLMAYR, HANS. “Bosch und die höllische Welt,” in Verlust der Mitte. Salzburg, 1948
• SIGUENZA, J DE, in Tercera parte de la Historia de la Orden de San Geronimo, 1604.
• SNYDER, J. ed. Bosch in Perspective, 1973
• TOLNAY, CHARLES. Hieronymus Bosch. [Basel, 1937.] New edition, translated into English, with a catalogue of the artist’s works. London,1966. One of`the best sources.
• TORVISO, I.B., and MARIAS, F. Bosch, Reality, Symbol, and Fantasy, Spain: Silex, 1982
• TRNEK, RENATE and MARINA FLEISCHER. Das Weltgerichtstriptychon von Hieronymus Bosch (The Last Judgment Triptych), Vienna: Verlag Kremayr & Scheriau, 1988. Excellent source on this painting.
• WERHEIM-AYMES, C.A. The Pictorial Language of Hieronymus Bosch, represented in a study of two pictures: The Prodigal Son and The Temptation of St Anthony, with comments on themes in other works, Sussex, 1975